The Hands Below That Mouth
By Arden Stockdell-Giesler
My phone suggests a memory, a photograph from last February.
It’s a close up of a bruise on an inner thigh—mine—purpled
with pink crosshatches, swollen three inches in diameter.
There are teeth marks. It’s erotic.
I had forgotten then, the February of the bruise, about the hands below that mouth.
Thick and calloused, the ones I begged to touch me. The ones that did and couldn’t stop.
The ones I want even now, even knowing.
I dreamt you cut them off and sent them to me, cross country and over ice
just because I asked. The knife and a return address, too. I sent back
only a photograph: one bloodied hand between my thighs and one
in my mouth, fresh bone exposed to the camera.
Even in that dream, I recognized the weapon,
the same one those hands held years before we met.
I can picture it in your hand (still attached),
in the air, in the wall, barely missing your ex lover’s head.
I imagine she’s me and I think you do too.
I run my fingers through this memory of yours,
over the holes the knife left in the wall
and the light that can’t get through.
You, high and hysterical, left fingertip bruises
along her arm when you tried to throw her out the window.
The sink’s lip is stained red, the ledge you begged into your skull.
This is not a dream. This is your memory.
The memory you recited and I dismissed.
In another dream, my hands are yours,
thick and sloppy sutures circling my wrists.
The needle is between my new fingers
and I have done this on my own.
I watch as they—I—we—wield that knife
without my agency and against my will.
These hands are on my body
and I know I put them there
but these reflexes are born from you.
I rip the sutures with my teeth and surrender
touch.
This part of the dream repeats until a friend
walks down the hall to wake me, finds me
still asleep and pressing bruises into my wrists.
Arden Stockdell-Giesler is queer poet whose work explores the intertwined relationship between grief, intimacy, and identity. Recipient of the Brooklyn Poets Fellowship, their work appears in Sky Island Journal, Bruiser Magazine, plain china, Eunoia Review, Allium Journal of Poetry and Prose, Bullshit Lit: HORNS, UNC Asheville’s Headwaters, and Rachel Bochner’s Lovergirl. They are from North Carolina and currently live in Brooklyn, NY.